For his first exhibit in Vienna, Günter Tuz-ina showed works in all the media in which he has been working since the mid ’70s. Paintings on canvas, works on paper, and wall paintings, separated spatially from each other, make up a dialogic structure from which Tuzina works. The linear base figure, a windowlike square, divided and crossed by a diagonal line, and the saturated colors that fill it balance one another on the whole, but one may predominate depending on the materials of the individual work. For example, the painterly aspects of color come to the fore in the works on paper, and the