Eleven artists and artist groups took part in “Skulpturen und Objekte” (Sculptures and objects), each presenting one work. In this small, tubelike gallery, a large white pedestal was installed in the middle, and mostly small works were placed there, very close to one another. From this perspective, correspondences and confrontations could develop among the works, and they offered the viewer an overview of the possibilities for sculpture in the ’90s. Of primary importance in this ’90s nomenclature was the creation of objects without political ideology, objects that are simultaneously symbolic