Jacqueline Bernat creates gauzy, evocative monochromatic images by covering black and white photographs with encaustic, then scratching, scarring, and scraping their surfaces. The 18 photo-constructions included in this, her first one-person show, each consisted of one or more centralized photographic images mounted on wooden geometric constructions that projected ouward, like sculpture, from the wall. Sheets of ordinary household lead flashing and mottled-gray or black linoleum sheathed the bases, creating sculptural/architectural frameworks that recalled the primary structures of Richard