new-york

Abraham Walkowitz

Zabriskie Gallery

For Abraham Walkowitz art was never less than a religion, and the artistic profession akin to a sacred calling. In 1906 he left New York for Paris, where he fell under the spell of Paul Cézanne, Auguste Rodin, and Henri Matisse, whose work greatly influenced his rendering of the figure.

Walkowitz met Isadora Duncan in Paris, and he was so captivated by her dancing that he made her a central focus of his art. For him, she was the embodiment of the esthetic that drove his work: the notion of the artist as vital creator. Walkowitz was hardly alone in his admiration of Duncan. Numerous artists, from Rodin to John Sloan, depicted her, but Walkowitz, who did more than 3,000 drawings and sketches of his muse over the span of his career, was Duncan’s most devoted interpreter. Duncan herself was quoted as saying, “Walkowitz, you have written my biography in lines without words, I can pass on.”

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