Ange Leccia says his work falls somewhere “between Jackson Pollock and Piet Mondrian,” referring to the former’s frenetic energy and the latter’s ordered precision. Each piece in this sprawling but thematically concise show bore the laconic title Arrangement (as do all his works), a direct reference to the artist’s technique of “arranging” objects or events while drawing from installation art, performance, sculpture, video, “art photography,” and documentation. Past Arrangements included filling a gallery with police motorcycles, placing bulldozers in a face-off in front of a neoclassical