The artist adopted the pseudonym, Patricia London ante Paris, during her stay in London. For this exhibition, she created an installation, 4 Masosuta, 1992, for the imaginary figure of Masosuta. The windows of the gallery were covered to eye level with newspapers. In front of them there were four metal tables on which were placed four wooden boxes. Like altars they supported cast human organs. On the opposite wall hung Masosuta’s Manifesto, 1991—instructions on how to attain a better life in this world. The German text was translated into Arabic, Japanese, and English, and each text was framed