new-york

Karen Finley

Amy Lipton Gallery

Karen Finley’s installation, Written in Sand, 1992, adopted a subtle and dark strategy which eschewed the emphasis on the sheer number of deaths characteristic of the most publicized tributes to the victims of AIDS. Emblematic of those works, Gran Fury’s 1987-88 LED installation stated “One AIDS death every ten minutes”; its latest incarnation reflects the continual increase in those statistics. The AIDS quilt, stitched together from the contributions of thousands who have lost friends and relatives, has grown so large that it can no longer be displayed in one place and is presented in fragments across the country. Designed by AIDS activists to make a graphic political point, the quilt, like Maya Lin’s Vietnam Memorial, mitigates the loneliness of grieving while creating a lasting, tangible memorial to each person.

Unlike the AIDS quilt or the Vietnam Memorial, Finley’s piece was structured

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the March 1993 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.