• Klaus vom Bruch

    Kölnischer Kunstverein

    Klaus vom Bruch’s video installation, Jam-Jam-Projekt, 1993, asserts actuality through innovation, interaction, and provocation. His reference to Charlie Chaplin adds irony and humor, but beyond the playfulness of this work (or perhaps in the middle of it, depending on the viewer’s location) is a place of contemplation. The space of the Kunstverein offers possibilities for new visual perspectives. The walls and ceiling are more than just supports for the images; they become receivers and pathways. Projectors and monitors are more than transmitter—they create images. Just below the ceiling

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