reviews

  • Susana Solano

    Museo Nacional Centro de Arte Reina Sofía

    This first retrospective of Susana Solano’s work is an exhibition of breadth in every sense of the word; it allows the spectator to conic into contact with a rather large selection of her work. Solano’s work has acquired consistency and international prestige in just a few years. Influences, conscious and unconscious, include some of Robert Morris’ works of the late ’60s which centered on the juxtaposition of planes and opaque elements, and the Minimalist coldness of some structures resembling cages, like his well-known Untitled (Steel grating), 1967, or Untitled (Aluminum grating), 1969;

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