los-angeles

Don Suggs

L.A. Louver

Entitled “Old Genres (photoworks),” Don Suggs’ recent show included landscapes, still lifes, and nudes covering, with encyclopedic range and ambition, a fair portion of the world’s terrain. In Periscope (Balthusian Garden), 1992, an image of a landscape is repeated twice to recreate the scene as it appears when viewed through a panoramic camera, a juxtaposition that reproduces the effect of looking from the left and then the right. From a distance, the rounded sides, flat tops and bottoms of the image itself take on the appearance of two oversized razor blades. Amid the dense greenery are two running figures, who in their scale and sense of urgency bear a great deal of resemblance to those in the murder scene of Michelangelo Antonioni’s film, Blow-Up (1966). The picture’s stereoscopic vision amplifies the image’s voyeuristic possibilities—assists one in imagining morbid scenarios as the

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.