Organized by Michael Auping of the Albright-Knox Art Gallery in Buffalo, this exhibition of Susan Rothenberg’s paintings and drawings from 1974 to 1992 could have provided the opportunity to reexamine her work in relation to the political and social art produced during those years. However, Auping chose to adhere to the standard retrospective format, concentrating on stylistic and chronological developments, thereby enshrining and isolating the work. What the show did offer, though perhaps unwittingly, was a juxtaposition of Rothenberg the draughtsman and Rothenberg the professional artist highly