Eberhard Bosslet’s works evoke extremely strong emotions. Here, his works were installed in spaces wrested from an architectural complex where construction had been interrupted in the ’30s, and which had been intended to accommodate the faithful visiting the adjacent Scala Santa, or holy staircase, one of the most popular Christian sites in Rome. The extremely high, powerful walls were left unplastered, the stones and bricks clearly visible. This naked architectural structure surrounding Bosslet’s technological objects almost neutralized their dangerous, disturbing aspect. But then one realized