One of José Pedro Croft’s main avenues of inquiry is the delimitation of what is external and internal to each form. This question is developed both in the internal structure of each piece and in its articulation within the surrounding space. In his more recent works the dominant form has become the box, more specifically the box-arch, taking over from the box-tombs and box-houses. The horizon of the artist’s formal references stretches from the field of architecture into the field of everyday objects in which the arch joins with the table or the bowl.

This exhibition illustrated a particularly