• Colette Whiten

    Susan Hobbs Gallery

    Colette Whiten’s needlepoints are based on tiny images taken from newspapers, images that play on the reader’s sense of helplessness in the face of distant events. In this show, she exhibited four new images along with the graphs she used to painstakingly transfer the newsprint images to needlepoint. In Mob Attacks Somali Woman, 1993–94, the fear on the woman’s face and the ambiguous expressions of the men surrounding her are doubly frozen—in the arbitrary closing of the camera’s shutter and in the permanence of Whiten’s handiwork. These needleworks, despite their precious size, are striking in

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