It seems almost redundant to point out the relationship between Sandra Tucci’s recent work and Minimalism. The influence of Minimalism on contemporary Brazilian art is comparable only to the degree to which it has been reread and modified by local tradition. The resulting mix of cultural traditions produces work in which a sophisticated formal intelligence finds itself at the service of the immediacy of sensory experience. On this occasion, Tucci literally framed the space of the gallery with a structure made of L-shaped metallic modules of various sizes. Despite the constructive emphasis of