The 19 sculptures and installation pieces (ranging from 1986 to 1992) that comprised this exhibition reflected Michèle Blondel’s unique mixture of feminist Catholic liturgy and tongue-in-cheek humor. Its title, “Prélait-Point de Rosée-Lactaires Délicieux” (Pre-milk [or prelate]- dewpoint-sweet milk cap), suggests a new mother’s watery yellow “premilk” colostrum, sweat, and the sperm-covered head of a penis. Indeed, breasts, penises, and body fluids are omnipresent in Blondel’s elaborate assemblages, which feature hand-blown Baccarat glass phalluses and breasts, metal hardware, and found objects