In “Not Many Rest Stops,” Hollis Sigler presented uninhabited landscapes and interiors filled with modern-day memento mori. Resembling nothing so much as the scenery and props of a tragedy-in-progress, the elements of Sigler’s elaborately framed drawings and paintings narrate the continuing story of her experience with cancer. Over the past nine years she has explored social attitudes toward and treatments of this disease and of breast cancer in particular. She does so through the use of both words and pictures, hand-writing a continuing thread of text around stepped wooden frames, as well as