• Perejaume

    Galeria Joan Prats

    In his recently published book, La pintura i la boca (Painting and the mouth, 1994), Perejaume established the theoretical parameters of his work, while showing the need for an interdisciplinary approach. His bent for comparative analysis has even led him to join opposites, as when he affirms that “painting” (pintura) and “erasure” (despintura) are nearly equal terms that merely indicate different directions; or that the world has become a simulacrum of the world. “The erosion of the image is constant, from the painting to the postcard, and from the postcard to the decal, to the screen and to

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