New York

Ying Li

Elizabeth Harris Gallery

Ying Li’s lush abstractions reflect the sheer pleasure she takes in the process of painting. For Li, painting is a symbol of freedom of expression. Born in Beijing, she became interested in painting in the Western tradition as a child, but because of the Cultural Revolution she spent her teens doing agricultural labor in the countryside. With her return to the city and school, she began painting in oil and did some work in the Chinese social-realist vein that she summed up by saying, “You did what they told you to.”

Upon moving to the New York area in the ’80s, Li began to stress the importance of the act of putting oil on canvas while drawing heavily on personal experience. In Still Life in Red, 1993, and Rose, 1992–93, Li evokes a particular subjectivity from the loose and gestural strokes that form her rich surfaces and sweeping planes of color. In the former work, she mines the color

to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and receive the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the November 1994 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.