reviews

  • “The Romantic Spirit in German Art 1790–1990”

    Hayward Gallery

    Though assembled under the sign of Romanticism, “The Romantic Spirit in German Art: 1790–1990,” was not exclusively, or even principally, about the Romantic period in German art and its legacy; it was really about the recent reunification of Germany. Here Romanticism has been transformed into a Masonic cult, a kind of Virtual Romanticism—more an agent of German simplification than unification. This is not to deny that Romanticism figured as a source of expression for artists far afield of the period from the late 18th to the early 19th century, but such an argument is anything but self-evident

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