For this exhibition, Corrinne Wasmuht produced two brightly colored, large paintings with deep perspectival fields. In both works, one feels as if one is looking through a microscope. The subject of both works seems at once easy to grasp and elusive. Though Wasmuht deals with medicine and nature, what kind of nature is it where soulless structures can be transformed into decorative and colorful ensembles?

Upon closer examination, it is clear that these paintings originate in textbooks of human and veterinary medicine. Each image depicts a cross section of tissue, thus, the images are fundamentally