Recently, Susana Solano mounted two solo exhibitions, one in Barcelona and another in Madrid, that ran concurrenlty. In Barcelona, at the Galeria Senda, Solano placed a single piece in each room. The verticality of one iron piece was deliberately countered by the horizontality of the other. As part of the show in Barcelona, Meditaciones n. 10 (Meditations n. 10, 1993)—a closed catwalk set on wooden balls—was installed in an old shed. This circular pathway contrasted with the angular geometry of the structure in which it was placed. This installation, and her En busca de un paisaje (In search of