Without a title, without an overriding theme, this exhibition—comprised of two videos and a small wall installation—established many connections between artistic intent and modes of presentation. All the artists shown here belong to the generation that emerged at the beginning of the ’90s which viewed artistic practice as directed more toward projects than toward subjective expression. This turn occurred later in Vienna and was less radical than in other cities. Max Böhme, Octavian Trauttmansdorff, and the trio Andrea Clavadetscher, Martin Hodel, and Eric Schuhmacher, who originally came from