After the various “Bad Girls” shows last year and similar shows such as last fall’s “Sense and Sensibility” at the Museum of Modern Art in New York, it has become clear how contested the notion of “the feminine” is within contemporary American and European art—and how difficult it is to address this highly charged issue in a coherent and responsible way. “Metasex 94: Identity, Body, and Sexuality,” which was originally presented in a somewhat different form at the Museum of Art in Ein Harod, views similar issues from a distinctly Israeli perspective. Organized by Tami Katz-Freiman, an independent