• Gary Simmons

    Lannan Foundation

    Taking his 1993 series “Erasure” as a point of departure, Gary Simmons created a monumental yet lyrical suite of site-specific wall drawings. The earlier series—30 works that resembled old-fashioned blackboards with partially erased chalk drawings derived from cartoons ranging from the well-known Dumbo to the little known “Bosko” serials—was a means of marking the “violence done to Black people both in the creation of these images and [in] life.” To achieve this effect, Simmons isolated selected cartoon characters and reduced the images until they became indices of visual stereotypes: a frog is

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  • Streb/Ringside

    Museum of Contemporary Art Santa Barbara

    The events that comprised “Action Occupation,” a series of performances by Elizabeth Streb’s decade-old group Streb/Ringside, were a cross between acrobatics and modern dance, fighting and flying, football and ballet. Bodies plummeted through space, slammed against walls, dangled precariously from harnesses, battered each other, or lay inert, waiting to be crushed. At their best, the “Action Occupation” events were exhilaratingly energetic; at their worst, they resembled an amateur game of rugby, in which chaotically hurtling bodies threatened to reduce each other to heaps of motionless flesh.

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