Georgia Marsh hasn’t had a solo exhibition in Paris since 1978 (at the Galerie Gillespie-Laage) when she lived here and her name was Marcia Gillili. At the time, her paintings were constructed according to a geometric scheme, reproducing a minimalist grid with evenly spread primary colors. Was it her intention to return to these memories by showing works, here in the city of her youth, that on one level revisit the grid, but on another level disrupt it? Tucked between the lines, one sees the organic forms that have for several years been the center of her work.

Over the years, Marsh has painted