Huang Yong Ping’s site-specific installation, entitled Trois pas, neuf traces (Three steps, nine paths, 1995–96) reflected on the differences between various Chinese traditions and those of other cultures. In the past, Huang’s work often consisted of intricate networks of disparate elements that include references to Chinese culture, but many of those works remained somewhat hermetic. In this installation, however, the references to Chinese culture served above all as a textured, resonant background to the work.

Upon entering the space, the spectator was forced to step onto a “continent” formed