This exhibition of Sally Smart’s large collage constructions was a collection of madwomen and female freaks. In Smart’s accomplished and ambitious images, these extraordinary female figures were vivisected and scattered across the gallery walls in reassembled satin, calico, canvas, and paper body-parts, like a host of gender-conscious Shrouds of Turin. Smart divides and stretches her figures so that their gestures and acrobatic contortions collide and overlap with a cubistic sleight-of-hand; the division between inside and outside, usually marked by the body’s envelope of skin, became blurred.