Chiara Dynys’ work seems increasingly to investigate artisanal materials and techniques that range from the banal to the exotic. In her recent exhibition, Dynys presented three distinct interventions. The walls of one room were entirely studded with irregular geometric solids whose concave forms suggested containers with oblique sides. The diagonals on which they were placed on the wall, as well as the way in which their forms were juxtaposed, animated the gallery space as well as the objects themselves, creating a strong sensation of movement. The lightness and luminosity of the materials—transparent