At the opening of his recent show, Serge Comte presented a surprise miniconcert: he and a young woman sang a duet, reproducing songs each was listening to separately on a Walkman—their hesitant vocalizations creating a vaguely psychosexual ambience. According to Comte, a young artist whose work comes out of what is now considered the third-generation “Grenoble School,” the exhibition, while it appeared in the public space of a gallery, addressed his notion of being “safe at home,” where everything is permissable and one is protected from the prying gaze of others. Comte’s work is inspired by