• Ramiro Fernández Saus

    Galería Estampa

    Ramiro Fernández Saus’ recent exhibition “El jardín del Edén” (The garden of Eden) introduced an element that had previously been largely absent from his paintings, but was represented here both literally and metaphorically: the human figure. This was also the first of Saus’ exhibitions to focus on a particular thematic series. The work, however, continued the trajectory Fernández Saus initiated more than ten years ago, when he first established his peculiar approach to artmaking, rejecting contemporary artistic ideals and adopting eighteenth-century painting—the work of Fragonard in particular—as

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