On a certain level, the Athens Fine Art School was the most appropriate possible setting for Emily Tsingou’s group exhibition of recent video installations and projections by nineteen artists entitled “PUSH-UPS.” Essentially a DIY project put together over a period of years by the students and teachers who took over this broken shell of a building, the school is an immense and beautiful open space reclaimed from the ruins of an abandoned industrial zone. In the same way, as the title implies, “PUSH-UPS” presented a wide range of contemporary video practice within a larger framework of DIY