Bill Davenport


In this recent exhibition Bill Davenport placed an assortment of small, quirky objects around the gallery—a tinfoil starfish, various readymade ephemera, needlepoints sporting motifs ranging from early Modernist to early Atari—with an extreme attention to detail. Occupying walls, floors, and custom-built shelves, the pieces enjoyed space and lighting worthy of a museum show, a treatment at odds with their cheerfully slipshod facture—wool needlepoints hanging unstretched and out-of-square, woodwork that would barely earn a “C” in shop class—and palette of bright, happy colors (especially pink, orange, and turquoise).

References to the Pop era abounded, such as a knitted Popsicle echoing Claes Oldenburg, or a crocheted hubcap cover resembling an Irish tam-o-shanter crossed with a Jasper Johns target. More recently, LA artist Jim Isermann comes to mind in pieces such as Washer Cover, 1995, a

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