• Monique Frydman

    Galerie Laage-Salomon

    Monique Frydman’s work tends to elicit either indifference or enthusiasm. The indifference stems perhaps from the fact that her paintings take no part in current artistic trends. But for those who still pursue beauty and pleasure in art, Frydman’s canvases are both provocative and affecting.

    Frydman defines pleasure in painting as “the deployment of a particular form of knowledge . . . The fact of being at once mortal and eternal . . . the memory or the subconscious knowledge of happiness as a form of human materialization and perfection,” and she models her work on the paintings of Cézanne. (In

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