New York

Hiroshi Sugimoto

Sonnabend Gallery

In Hiroshi Sugimoto’s seascapes, action, what there is of it, transpires in the subtle play between opposites. In each photograph, change and stasis, clarity and fog, detail and totality oscillate, creating a theater of “non-happening,” what the artist calls “time exposed.” With a few significant departures, this show represented a continuation of Sugimoto’s ongoing photographic series, begun in the mid ’70s, in which images are produced by leaving the camera shutter open for as long as three hours, allowing the passage of time to coalesce into the single moment a still photograph purports to represent. (Parallel series include photographs of drive-ins and period movie houses.) Delicately evocative and stubbornly literal, as much about the nature of photography as about the nature of nature, Sugimoto’s pictures resist verbal commentary because each statement about them seems to dissolve

Sign-in to keep reading

Artforum print subscribers have full access to this article. Please sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW and save up to 65% off the newsstand price for full online access to this issue and our archive.

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.