For more than a decade, Bracha Lichtenberg-Ettinger has borne witness to the most overwhelming event of our century—the Holocaust. Born in Israel and a resident of France since 1982, Lichtenberg-Ettinger has modestly, and little by little, managed to express the inexpressible. Her series “Eurydice,” 1992–96, consisting of mixed media pieces on canvas and paper and shown here along with other works, rescues from oblivion images that have been hidden in the shadows—just as Eurydice herself was in the myth of Orpheus, after she was sentenced to death by her lover’s impatience. Lichtenberg-Ettinger