Michel François’ recent show “Mest, Brandnetels en Paardebloemen” (Manure, nettles, and dandelions) was divided into two groups: an installation consisting mostly of videos and films; and documentary material from his various collaborations with nonartists. In the first section François installed a pale green carpet with circular perforations at its edges, and onto the wall beyond the carpet he projected a video in which the camera’s movement follows his feet traveling in an endless circle on a green lawn that eventually turns brown. The remaining videotapes and films were displayed on various