new-york

Joachim Koester

Greene Naftali Gallery

Constructing the record of a place or mapping an event is always fraught with contradictions: the moment one grasps a context or situation one has also to acknowledge that it is almost impossible to stake a claim to an unmediated relation to the phenomenal world. But this dilemma, which assumes a strict philosophical and material dichotomy between reality and artifice, is one that Danish artist Joachim Koester seeks to question. In his first one-person show in New York, Koester offered two distinct types of work that, when considered in tandem, indicate a general desire to both extract theater from reality and manufacture theatrical situations. The video installation Pit Music, 1996, recently presented at Documenta X, depicts a concert by four women violinists of Shostakovitch’s No. 8 110 in C minor. The series of photographs, Day for Night, Christiania 1996, 1996, provides a sensuous,

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the December 1997 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.