Throughout her career, Montserrat Soto has tried to achieve a synthesis between photographic images and real spaces. For example, last year at the Sala Montcada, in her hometown of Barcelona, Soto installed a work that consisted of a semi-closed polygonal structure formed of photographic panels depicting claustrophobic images of hospital corridors. Resembling a labyrinth, this piece addressed themes that have appeared throughout her work: interior spaces and physical boundaries. In this suggestive installation, Soto also skillfully brought her expressive imagery into harmony with the photographic