In ten photographs by Sabrina Sabato arranged along one wall of Galleria Neon, bright colors alternated with more placid hues: red was diluted into tones ranging from pink to ocher; green faded to the bluish transparency of water. Here and there one glimpsed the outline of a leaf or a fragment of a petal, while elsewhere the image was initially unrecognizable. A strange kind of herbarium emerged, in which natural forms were as transparent as X-rays. Enlarged and printed without the intermediary stage of a negative, Sabato’s photographs—unique prints she calls “Sabatographs”—capture leaves,