Given Jim Shaw’s penchant for treating his mental landscape as an archaeological dig, it’s not surprising that for the last few years he’s been mining his dreams. This show contained forty-five pieces based on images that Shaw has lugged back from his excursions into the Land of Nod. Executed in a wide range of media, including painting, sculpture, fake greeting cards, cartoons, models, photographs, and drawings in various mutations, the work reflected the everything-but-the-kitchen-sink quality of dreams. These souvenirs from far-flung psychic galaxies ran the gamut from tweaked cartoon pastiche,