Gregor Schneider’s career is notable for a number of reasons. Five years ago, at the tender age of twenty-five, he was given a solo show at a major gallery in Cologne, and only a few years later he had another at the Kunsthalle Bern. Despite Schneider’s early success, his work has received little attention in art publications. One possible reason for this is that his work doesn’t resemble much art that is currently seen in galleries; another is that photographs of his installations tend to be as unspectacular as the work itself. Since he was a teenager, Schneider has been continually rebuilding