Kathy Temin uses fake fur, felt, plastic, and polystyrene to make trashy, handcrafted objects and assemblages. In her most recent show, an image of a cat was splayed like a crazy logo across a huge mat made of artificial fur. The pile was so thick and the design so attenuated that, in this warehouse-size gallery with its polished concrete floor, Cat Mat, 1997, seemed at first to be merely a slightly soiled-looking dust magnet. Temin’s throwaway logic was further played out in the clumsily sculpted, awkwardly placed polystyrene screens she used to partition the otherwise elegant exhibition space.