In Txomin Badiola’s new show, he abandons the formalist spirit of his earlier pieces, which were created in a constructive orbit close to Minimalism (and even to Jorge Oteiza), and throws his work smack into a critical deconstruction of contemporary narratives. Here, in addition to three large-scale photographs, he presented three installations that combine all sorts of things—video monitors, chairs, photographs, movie posters, books, sculptural-constructive elements, found objects—in an entropic mixture of materials and themes. In LM & SP (Un Hombre de Poca Moral y Algo de Persuasión) (LM & SP