• Bill Davenport

    Angstrom Gallery

    The eighteen small works in Bill Davenport’s latest show ranged from boyish sight gags like Bummer, 1999, an enameled bean can and golf ball arranged to suggest a missed putt, to the inscrutable fluff of Pair of Lint Sculptures, 1998, in which a couple of fat, ill-formed pancakes made from the detritus of a clothes dryer are displayed with absurd care on a neat little white shelf. The tension between slick gallery presentation and deliberate craftlessness was a constant in the show, as was the impression that one had entered a realm of flattened hierarchies where transgression against conventional

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