This exquisite show is essentially a mini-retrospective of the Irish artist James Coleman’s work. Three of the nine pieces on display are from the early ’70s, when Coleman was still working primarily with silent 16 mm black-and-white film loops, among them the intriguing Playback of a Daydream, 1974, projected on a small screen on the stage of the museum’s film auditorium. The viewer encounters not a moving picture but a single static image: Joseph Jastrow’s famous duck-rabbit drawing, in which both animals can be seen, but not simultaneously. Each blinds the viewer to the other. The projected