London

Gary Hume

Whitechapel Gallery

Gary Hume appears to have entered his Midsummer Night’s Dream period. His recent paintings conjure up a world of enchanted woods haunted by evanescent spirits, where nothing is quite what it seems. His principal subjects are things that fly, hover, hang, float, swim—birds, flowers, angels, nests, reflections in running water. Here, the laws of gravity and identity are in abeyance.

Hume is by no means the first British artist to be interested in this kind of subject matter. When I interviewed him in 1995, just about the only bit of biographical information he gave me was that he takes his son to see the grave of William Blake—an artist who saw angels. In the Victorian period, fairy painting was a popular genre, with scenes from A Midsummer Night’s Dream and The Tempest often represented. They were painted with copious and hallucinatory detail, and had titles like Fairies in a Bird’s Nest

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and receive the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the February 2000 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.