London

Kristin Calabrese

Gagosian Gallery

Looking at Kristin Calabrese’s 1998 painting Stove & Fridge (Love), I couldn’t help but focus on the houseplant, which shares space with the dustpan, broom, and mop, as well as the fridge-mounted valentine, snapshots, and fortune-cookie slips. It reminded me of the scene in the 1987 film Wall Street where Bud Fox, a working-class boy with big dreams, stands in the living room of a corporate raider/art collector and gets read like a tea leaf by Darien, a socialite decorator who describes Bud in terms of the type of living space that includes a houseplant. Calabrese’s paintings cover a range of topics like love, loss, dysfunction, and memory, but each of these seems to be a numerator over the common denominator of class.

The Entryway, 1997, presents the electric fan, taped-up Polaroids, and shag carpeting of an apartment that could play host to the Spanish-style swag lamp depicted in Chandelier

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