Callum Morton is a young artist based in Melbourne, where he attracted considerable attention in the mid-’90s by grafting prefabricated windows and balconies onto gallery walls. Like Christo’s Storefronts of 1964–65, these were almost two-dimensional: melancholic Minimalist facades. Over the last couple of years, a historicist trajectory has become more apparent in his work. He now makes doll’s-house settings for reconstructed art-historical or cultural moments, similar in spirit to the ones in German artist Thomas Demand’s recent photographs. In one recent work, Accademia, 1998, he made a 3:4