IN KOJO GRIFFIN'S NEW mixed-media panels, enigmatic figures enact scenes redolent with anger, desire, sadness, pain: A man shakes a screaming child; two men face off, one holding a knife; a woman's joyful play with a toddler is shadowed by the sadness of an excluded male figure in the distance. The characters are strange creatures—people with animals' heads or patchwork effigies that look like the offspring of a teddy bear and a crash-test dummy. Because they are engaged in human interactions but aren't exactly human, they become emblematic of emotional states and interpersonal tensions